National Endowment of the Arts - The Big Read

GUIDELINES & APPLICATION INSTRUCTIONS

APPLICATION DEADLINE: FEBRUARY 2, 2010
PROGRAMMING DATES: SEPTEMBER 2010—JUNE 2011
APPROXIMATELY 75 ORGANIZATIONS WILL BE SELECTED

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The Big Read is a program of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and in cooperation with Arts Midwest designed to revitalize the role of literature in American culture and to encourage citizens to read for pleasure and enlightenment. The Big Read provides U.S. communities with grants and comprehensive resources that support their efforts to read and discuss a single book or the work of a poet.

To learn more about The Big Read, including current programming, visit www.NEABigRead.org.

 

PROGRAM DESCRIPTION

The purpose of The Big Read is to encourage literary reading. The following information outlines the expectations and requirements for Big Read organizations. 

Organizations applying to The Big Read must select from the reading choices listed below. Organizations selected to participate will receive a grant, access to online training resources and opportunities, educational and promotional materials to support widespread community involvement and participation, an Organizer’s Guide for developing and managing Big Read activities, inclusion of the organization and its activities on The Big Read Web site, and the prestige of participating in a highly visible national program.

Grant size

Organizations may apply for grants ranging from $2,500 to $20,000. Grant size will be determined based on:

  • Community population—for example, the suggested grant range for a small community with fewer than 50,000 residents is $2,500–$7,500; the suggested grant range for larger cities or towns is $7,500–$20,000.
  • Number of activities planned—applicants demonstrating innovative and detailed plans to host more than the minimum required activities (see Event plans) may be considered for grants at the upper end of the grant range.
  • Overall strength of the application— based on the selection criteria.

Grants must be matched at least 1 to 1 with nonfederal funds. Grant funds may be used for such expenses as book purchases, speaker fees and travel, salaries, advertising, and venue rental. Please see the program budget instructions for more information. 

Reading choices

Applicants must choose one of the following selections. Previous grantees must select a different reading choice from their previous programming.

Book titles 

The Works of Edgar Allan Poe (1809–1849)

Programming may focus on Poe’s poems, short stories, or essays. Works to consider for programming are included in the Edgar Allan Poe Reader’s and Teacher’s Guides available on The Big Read Web site: http://neabigread.org/books/edgarallanpoe/.

The Poetry of Emily Dickinson (1830–1886)
Programming should celebrate Dickinson’s poetry.  Poems to consider for programming are included in the Emily Dickinson Reader’s and Teacher’s Guides available on The Big Read Web site: http://neabigread.org/books/dickinson/.

The Poetry of Robinson Jeffers (1887–1962)
Programming should focus primarily on Jeffers’s lyric poems. Poems to consider are included in the Robinson Jeffers Reader’s and Teacher’s Guides available on The Big Read Web site: http://neabigread.org/books/jeffers/.

The Poetry of Henry Wadsworth Longfellow (1807–1882)
Programming should focus on Longfellow’s narrative or lyric poems. Specific poems to consider for programming are included in the Henry Wadsworth Longfellow Reader’s and Teacher’s Guides available on The Big Read Web site: http://neabigread.org/books/longfellow/.

In the Time of the Butterflies by Julia Alvarez
Bless Me, Ultima by Rudolfo Anaya
Fahrenheit 451 by Ray Bradbury
My Ántonia by Willa Cather
Love Medicine by Louise Erdrich
The Great Gatsby by F. Scott Fitzgerald
A Lesson Before Dying by Ernest J. Gaines
The Maltese Falcon by Dashiell Hammett
A Farewell to Arms by Ernest Hemingway
Sun, Stone, and Shadows: 20 Great Mexican Short Stories edited by Jorge F. Hernández
Their Eyes Were Watching God by Zora Neale Hurston
Washington Square by Henry James
To Kill a Mockingbird by Harper Lee
A Wizard of Earthsea by Ursula K. LeGuin
The Call of the Wild by Jack London
The Thief and the Dogs by Naguib Mahfouz
The Heart Is a Lonely Hunter by Carson McCullers
The Things They Carried by Tim O’Brien
The Shawl by Cynthia Ozick
The Stories and Poetry of Edgar Allan Poe
Housekeeping by Marilynne Robinson
The Grapes of Wrath by John Steinbeck
The Joy Luck Club by Amy Tan
The Death of Ivan Ilyich by Leo Tolstoy
The Adventures of Tom Sawyer by Mark Twain
The Age of Innocence by Edith Wharton
The Bridge of San Luis Rey and Our Town by Thornton Wilder*
Old School by Tobias Wolff

 

* Applicants choosing Thornton Wilder’s The Bridge of San Luis Rey must include in the application plans for a live, full-length production of Our Town performed by a local school drama department, community theater, or professional theater company. The Big Read educational materials address both the novel and the play.

 

Poets

Emily Dickinson
Robinson Jeffers
Henry Wadsworth Longfellow 

Educational and promotional materials

One of the major benefits of The Big Read is the availability of high-quality educational and promotional materials provided at no cost to participating community organizations. The Big Read educational materials are accessible on www.NEABigRead.org, as well as provided in limited print quantities to grantees. The broad use and wide distribution of the educational and promotional materials throughout the community is essential and a key component of The Big Read.

The following educational and promotional materials are provided and available online:

  • Reader’s Guides: 16-page booklets containing an introduction to the featured book or poet, historical context, background of the writer, information about related works, and discussion questions.
  • Spanish translations of Reader’s Guides: Available for In the Time of Butterflies; Bless Me, Ultima; Fahrenheit 451; The Maltese Falcon; Sun, Stone, and Shadows: 20 Great Mexican Short Stories; To Kill a Mockingbird; The Call of the Wild; The Stories and Poems of Edgar Allan Poe; The Grapes of Wrath; and The Adventures of Tom Sawyer.
  • Teacher’s Guides: 20-page booklets containing lesson plans and other teacher resources for high schools or middle schools that can be used in the classroom and/or by the school library media specialist.
  • Audio Guides: 30-minute CDs featuring interviews with notable literary and public figures about the book for radio promotion and classroom use; for the poetry selections, 20-minute CDs containing readings of poems.
  • Banners, posters, and bookmarks for promotional and marketing purposes.
  • Web site: Participating community organizations also contribute to www.NEABigRead.org.

PROGRAM REQUIREMENTS                                                                      

Community organizations participating in The Big Read shall develop and produce a well-planned, well-attended, community-wide read with widespread involvement and participation. Your literary programming should feature innovative, diverse activities, and plans to connect to the chosen book or poet. The ideal Big Read program lasts approximately one month and must occur between September 1, 2010 and June 30, 2011. A successful Big Read will reach lapsed and/or reluctant readers, especially middle and high school students and young adults (ages 18-24), and have a wide range of imaginative activities. Successful applicants’ programming will occur in various venues to encourage participation by diverse audiences and reluctant readers.

If your organization has previously received a Big Read grant, your 2010-2011 application must include program plans that build on past Big Read programming.

Event plans

Activities should include:

  • A kick-off event to launch the program locally.
  • At least one keynote session on the selected book or poet (e.g., lecture by key biographer, panel discussion, or author reading).
  • A minimum of two to three special events involving other kinds of programming (e.g., art exhibits related to the themes of the book or poet, music or dance events, film series including adaptations of the book, or a theatrical reading).
  • A minimum of 10 discussions on the book or poet in varied locations, including libraries, bookstores, and museums, that attract diverse audiences.

The number of activities planned should correlate with your community population. 

Organizations are responsible for seeking legal permissions for certain activities and promotional materials. 

Community partnerships

Successful programs involve a variety of partnerships with diverse community organizations to broaden audience outreach and deepen participation, especially reaching lapsed and/or reluctant readers. 

Applicant organizations must partner with a library (if the applicant itself is not a library). Other collaborating organizations might include bookstores, museums, arts organizations, local businesses, chambers of commerce, community service organizations, community centers, youth groups, senior centers, correctional institutions, neighborhood associations, community colleges, universities, social service organizations, and military installations.

Middle and high school partnerships

Involvement of middle and/or high schools is essential to meeting the goals of The Big Read.

Applicant organizations should partner with local middle and/or high schools, working with school leaders, such as teachers, school librarians, English department chairs, principals, superintendents, or curriculum specialists. Partner schools should be capable of integrating The Big Read materials in classrooms and/or involving students in school-based Big Read activities. Applicant organizations should also develop program plans to involve students in community-based programming.

Media, public relations, and promotion partnerships

In order to ensure a large audience and strong participation in Big Read activities, local media must be involved to promote The Big Read. Participating community organizations should actively generate media involvement through partnerships with local TV, radio, and print media and through other public relations efforts.

Additional grant requirements

All Big Read organizations must:

  • Call their program The Big Read.
  • Match the grant at least 1 to 1 with nonfederal funds. For example, if an organization receives a $5,000 Big Read grant, the total eligible project costs must be at least $10,000 and the organization must provide at least $5,000 toward the project from nonfederal sources.
  • Participate in online orientation activities.
  • Use and distribute the printed and online educational materials.
  • Comply with all crediting requirements. This includes consistent crediting of The Big Read, the National Endowment for the Arts, and any additional sponsors.
  • Comply with all reporting and evaluation requirements. Organizations will be required to submit event listings before and during their community read activities, and to submit a final report with statistics and narrative about their programming following its conclusion.
  • Work closely with the National Endowment for the Arts, the Institute of Museum and Library Services, and Arts Midwest.
  • Comply with all federal granting regulations, including providing organizational audit information if required by federal law.

ELIGIBILITY CRITERIA

Applicant organizations must:

1.   Be a 501(c)(3) nonprofit organization; a division of state, local, or tribal government; or a tax-exempt public library. Eligible applicants include such organizations as literary centers, libraries, museums, colleges and universities, art centers, historical societies, arts councils, tribal governments, humanities councils, literary festivals, and arts organizations.

2.   Partner with a library (if the applicant organization itself is not a library).

3.   Select one of the 31 available reading choices.

Note: K–12 schools and school districts, whether public or private, may not be lead applicants but are strongly encouraged to partner with libraries, literary centers, museums, and other eligible applicants.

 

SELECTION CRITERIA

Approximately 75 organizations from across the country will be selected by a panel of experts to participate in The Big Read. Organizations will not be awarded more than one grant. Selections and grant awards will be based on the artistic excellence and merit of the program. Specifically, applications will be evaluated based on outlined programming plans including:

1.   Overall strength of literary programming, number and types of diverse and imaginative events and their potential to reach lapsed and/or reluctant readers.

2.   Partnerships with community organizations, such as libraries, bookstores, museums, arts organizations, military installations, local businesses, chambers of commerce, community service organizations, community centers, youth groups, senior centers, correctional institutions, neighborhood associations, community colleges, universities, social service organizations, and military installations. 

3.   Engagement with middle and/or high schools, school libraries, or school districts in integrating Big Read program activities and materials.

4.   Active involvement of specific media outlets to promote events using TV, radio, print media, and other promotional and public relations efforts.

5.   Capacity to manage The Big Read program, provide the required financial match, and effectively use grant funds.

SELECTION TIMELINE

 

Application deadline February 2, 2010
Notification of selected communities April 2010
Program activity September 1, 2010 - June 30, 2011

 

APPLICATION REQUIREMENTS

  • Complete and submit online eGRANT application at www.NEABigRead.org. Specific instructions for using eGRANT are available online.
  • Send additional materials as outlined below. 
  • Pages beyond the requested length will not be distributed to the panel for review.

Application requirements submitted through eGRANT (Note: these application requirements have changed from previous application deadlines. Please read thoroughly.)

1.   One-page organizational description:  Describe your mission, principal activities, and the make-up of the community you serve. Describe any past programming that demonstrates your ability to develop and manage a successful Big Read program.

  • Create in Word using 11-point type, single-spaced, 1” margins and upload into eGRANT.

2.   List of proposed community partners with whom you plan to collaborate.

  • Enter data online directly into eGRANT.

3.   List of proposed school partners (middle and high schools, school libraries, school districts, community colleges, or universities in your area).

  • Enter data online directly into eGRANT.

4.   List of potential media partners (TV, radio, print, or internet).

  • Enter data online directly into eGRANT.

5.   Two-page application narrative:  Describe your literary programming plans, the number, locations, types of activities, and potential partner roles, including your partner library (if applicant itself is not a library). Describe your intended audience for these events, how your organization will engage audiences that are diverse within the context of your community, groups you have identified as lapsed and/or reluctant readers, and your specific plans to reach them with programming. Explain how you plan to staff this program. Explain how you will use and distribute the printed and online educational materials and, should you choose to purchase them, copies of the selected book. Previous grantees should focus on proposed September 2010 - June 2011 programming while incorporating how upcoming plans builds on previous Big Read experiences. In particular, previous grantees should explain how they will reach new audiences within their community not previously involved in Big Read activities.

  • Create in Word using 11-point type, single-spaced, 1" margins and upload into eGRANT.

6.   One-page (total) biographical descriptions of the principal project leaders.

  • Create in Word using 11-point type, single-spaced, 1" margins and upload into eGRANT.

7.   Two-page program budget.

  • Use the downloadable Program Budget Instructions and form provided through eGRANT and upload into eGRANT.

 

Additional materials

  • Collate additional materials in the order requested.
  • Do not use staples or place your materials in binders or folders.

1)   Proof of your organization’s FEDERAL tax-exempt status, consisting of either:
  a)   Copy of your organization’s federal tax-exempt ruling under Section 501(c)(3) of the Internal Revenue Code; or
  b)   Documentation indicating that your organization is a division of state, local, or tribal government. State sales tax-exemption certificates and copies of ordinances or bylaws are not qualified documents.  For assistance in identifying the correct documentation, please call Arts Midwest or check with your finance department.

2.   Signed certification page downloaded from eGRANT.

3.   A one-page letter of support for participation in this program from the partner library, if the applicant is not a library. If the applicant is a library, you should submit a letter from a key partner organization.

APPLICATION DEADLINE

All eGRANT applications must be submitted electronically to Arts Midwest on or before 4:00 p.m. CST on February 2, 2010

Additional materials, as listed above, must be received in the mail by Arts Midwest on or before 4:00 p.m. CST on February 2, 2010. This is not a postmark deadline. The additional materials may not be e-mailed or faxed.

Please send your additional materials to:

 

The Big Read
Arts Midwest
2908 Hennepin Avenue, Suite 200
Minneapolis, MN 55408
612.238.8010

 

QUESTIONS

Please call Arts Midwest at 612.238.8010 or e-mail TheBigRead@artsmidwest.org.





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